Health and Science

Instructor

Barbara Campbell

Course Description

This course will examine representations of disability in American culture in the 20th and 21st centuries through literary texts, film, art, music, and dance. Our class will use disability studies theory to analyze how artists with disabilities critique ableism and complicate conventional narratives of disability. Stereotypical depictions of the disabled figure in literature, art, and popular culture reinforce, sometimes inadvertently, discrimination towards people with physical, intellectual, and psychiatric disabilities. The disabled subject is often represented as the object of pity, scorn, or as heroic inspiration for ableist culture. Works by artists with disabilities tend to challenge these depictions in content and form in unconventional and radical ways. We will engage with a variety of texts to discuss how artists draw attention to inclusivity, access, and social justice.

Instructor(s)

Brent Hege

Daniel Meyers

Course Description

Through reading and critical discussion around theological, philosophical, and sacred texts, students will be able to explore the meaning of faith, doubt, and reason and ask big implicated questions, such as: what is faith, how do you know what you know, can divinity be proven, and what is the relationship of science to faith? The first semester of Faith, Doubt, and Reason focuses on developing writing skills. The second semester of Faith, Doubt, and Reason will provide an opportunity for students to write and present on issues in need of action in our world.

Instructor(s)

JD Amick

Course Description

TBA

Instructor

Darryl Pebbles

Course Description

TBA

Instructor

Tonya Bergeson

Course Description

Is music the universal language? Is music independent of language? This class will examine the relationship between music and language from the perspective of philosophy, psychology, communication science, and neuroscience. We will explore the relevant data and theories from various perspectives such as linguistics and music cognition, and we will investigate music and language across the lifespan and in different populations, such as aphasia and amusia.

Instructor(s)

Alexander Roehrkasse

Course Description

Many of our most salient watchwords— binging, multitasking, clickbait, doomscrolling—betray the pervasive feeling that attention in contemporary life is misused, even abused. By engaging with scientific, journalistic, and literary texts, this course investigates the nature of attention, mounting efforts to control and profit from attention through technology and design, and emerging movements to resist attentional exploitation. The course also explores attention-based practices such as mindfulness meditation to better align our attention with our goals and values and leverage it for vocational reflection. 

Instructor

Karly Keiper

Course Description

Many people do not realize that the laws prohibiting discrimination on the basis of disability are younger than most of our grandparents. In this course, we will explore the life of the “mother of the disability rights movement”, Judy Heumann. We will analyze how her unique personal story, life experiences, and fierce advocacy have shaped the law-making around disability and civil rights. We will discuss the evolution of the movement beyond Judy’s “birth” of it, exploring what accessibility meant, currently means, and what Judy (and many, many others) hope for it to one day mean.

Content warning: abuse, neglect, and violence against people with disabilities

Instructor(s)

TBA

Course Description

Coming soon.