LocationLilly Hall 236
Professor Pamela Ajango is the Instructor of Oboe at Butler University, and has been a full-time freelance oboist for 20 years. She is a member of the Indianapolis Chamber Orchestra (since 2002) as 2nd oboe/English horn, winning the tenured position in 2007. She also frequently serves as acting principal oboe of the ICO, and can be heard in that role on the ICO's first recording release, Momentum 21. Professor Ajango is a studio musician, recording for music publishers Alfred, FJH, Hal Leonard, and others. She can often be heard in the pit orchestras of visiting Broadway musicals, in solo and chamber music series, and with professional orchestras in and around Indiana. Professor Ajango is a founding member of the Circle City Wind Quintet (2003-present), comprised of members of the Indianapolis Symphony and Chamber Orchestras. The quintet serves as music educators for the Symphony, performing at schools, community centers, retirement homes, and for corporations like Eli Lilly & Co. Professor Ajango has a keen interest in musical outreach and education; she has served as a teaching artist for the Manhattan School of Music, the New York Philharmonic, the Montana Summer Symphony, and Midori and Friends. Her faculty positions have included instructor of oboe at Anderson University and the University of Indianapolis, visiting professor of oboe at the University of Virginia, and oboe studio assistant at her alma mater, the Manhattan School of Music. Professor Ajango has taught at many summer music programs, including Indiana University's Summer Music Clinic, the Saarburg Festival (Germany), and Butler University's oboe and woodwind camps. Professor Ajango joined the Butler University faculty in 2013 as Instructor of Oboe. She also teaches chamber music and woodwind techniques, and has served as interim Coordinator of Woodwinds.
Professor Ajango is active in the International Double Reed Society, having performed and lectured at many conferences over the years. Her 2012 presentation titled "Creating and Maintaining a Successful Freelance Career" was well-received and has been referenced by other oboists in their teaching curriculum. She has also performed at the IDRS international conferences as both a chamber and solo musician, twice premiering works which were written for her (The Empty Sky for solo oboe, by Butler professor and composer Frank Felice, and Variations for oboe, bassoon, and piano, by Matthew Bridgham). Professor Ajango was a featured clinician at the 2015 Midwest Clinic in Chicago, presenting a lecture/demonstration "Foundations for Successful Oboe Students", which led to a published article for the SmartMusic blog, now used regularly by many school band and orchestra programs.
Besides performing and teaching, Professor Ajango has been active in arts administration. She is on the orchestra committee of the Indianapolis Chamber Orchestra, currently serving as its chair. She has served on this committee for many years, including two contract negotiation periods. She has worked as a contractor since 2001 for orchestra projects, as well as smaller ensembles. During her time in New York City, she was employed by organizations such as CultureFinder, Midori and Friends, and the New York Philharmonic, writing reports, grant proposals, and online content. She continues to help students with their writing and editing skills, and has been a featured speaker at lectures about business skills in the music workplace.
Professor Ajango was previously a full-time freelance oboist in New York City, where she performed with many esteemed ensembles, including the New York Philharmonic, the New Jersey Symphony, the Orchestra of St. Luke's, and the Orpheus Chamber Ensemble, as well as for many Broadway productions and commercial recordings. She helped create the SONOS Chamber Orchestra of New York, serving as its first personnel manager and principal oboist, and was a featured soloist on its premiere concert. An Indianapolis native, Professor Ajango studied with Malcolm Smith, former principal oboist of the ISO, and she completed her bachelor's degree at Boston University, under the tutelage of Ralph Gomberg, former principal oboist of the Boston Symphony. Her master's degree is from the Manhattan School of Music, where she studied with Joseph Robinson, retired principal oboist of the New York Philharmonic. She completed doctoral work with Stephen Taylor at SUNY Stony Brook.