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About Me:

My name is Olivia and I am a senior at Butler University. I spend most of my time in Lilly Hall as a BFA Dance Performance major. When not in rehearsal or ballet class, I write papers for my English Literature second major. In my super-abundant, never-lacking, this-is-highly-sarcastic spare time, I attempt to cook in my apartment kitchen, watch Youtube videos of ballet, knit sweaters that never seem to come to an end, and read books both silly and serious. If I could take any class at Butler just for kicks, I'd go for DiffyQ.

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Posts Tagged “Nacho Duato”

Set to go: Midwinter 2012

This past Tuesday marked the last day Butler’s Department of Dance hosted guest repetiteur and teacher Kevin Irving, who set Nacho Duato’s Por Vos Muero for the Butler Ballet’s Midwinter Dance Festival.

After two solid weeks of rehearsals, we bid farewell to Mr. Irving and now continue to rehearse under dance professor Derek Reid. There’s a lot to work on — naturally, since we can always improve always in perpetuum — but I look back and see that everyone involved in the piece has come a long way.

Musicality, musicality, musicality.

The intricacy of the choreography requires a most exact sense of the music and makes working on the piece a rather delightful challenge. As our department chair said in another article, “The Butler Ballet is excited and humbled to have been selected as the only American College Dance program to perform a Nacho Duato work.”

We are all honored, and I for one am very excited… if my relentless posts on the subject haven’t convinced you, check out this article from the Butler Collegian, where I rave yet more (and more incoherently, probably) about the Midwinter Dance Festival this year.

As absorbed as I’ve been in the rehearsal process for Por Vos Muero, I haven’t seen too much of the other works in the show. I caught my first glimpse of Bournonville’s Flower Festival yesterday, which was exciting. I love the airiness of Bournonville choreography, and it offers a different view of classical ballet than the usual Petipa story ballet.

I highly recommend the Midwinter Dance Festival to anyone who has not been exposed to a lot of dance. Because the pieces come from a wide variety of genres and aren’t as lengthy, it makes for a good introduction. Make sure you buy your tickets for the shows on February 17 and 18 at 8pm!

If you’re in Indianapolis for the Superbowl… you should probably stick around for another two weeks so you can see Midwinter.   : )

Can you tell which dancer is me?

Working with Kevin Irving

Kevin Irving -- click through for source.

The big happenings in my life revolve around the dance department for the moment. We’ve been rehearsing, rehearsing for our Midwinter Dance Festival. As I’m sure you know by now — since I keep talking about it — this year’s commissioned piece is Nacho Duato’s Por Vos Muero, being set by guest artist Kevin Irving.

So far we’ve learned a group dance and various duets. The piece is actually mostly a series of duets. I had a rehearsal on Friday morning and learned my section, third “naked” pas at the beginning of the piece. (Explanation for the epithet: We’re wearing flesh-colored leotards.)

This Saturday, I worked with Mr. Irving for two hours on the duet. I ate half a sandwich while he worked with the first two duets, then we tried to string the first section together into the group dance. The group dance came next, then one of the pas from the end of the piece — and then a costume fitting! The costumes are beautiful, and mine actually fit. This might be the first time in a very long time I haven’t required a zillion alterations.

I simply must include a plug for Mr. Irving. I love working with him. He is demanding but clear, and he goes at just about the perfect pace for my learning preferences. Also, one of my best friends is the principal dancer in one of the other Midwinter pieces as well as understudying three parts in Por Vos Muero. So as much as I feel busy… She’s like a superwoman.

This was the last first day

This was the last first day of my undergraduate education. Except, as people have been quick to point out, there will be a last first day in January, a last first day in February, a last first Wednesday of the fourth month of study, etc.

Basically, I’m getting sentimental, but only a touch.

I had Teaching Analysis of the Classical Technique 2, ballet, rehearsal, and my senior essay class today. Besides catching up with friends after the winter break, the day was a whirlwind of learning choreography. Kevin Irving is currently at Butler University to set Nacho Duato’s Por Vos Muero for the Butler Ballet’s Midwinter Dance Festival, so the first day back in the dance department was full speed ahead as usual.

The Tulsa Ballet in Por Vos Muero

Then I had my Senior Essay class (soon to be renamed as “Advanced Academic Writing” which really sounds much more impressive) and dredged up the past with my BSI paper.

I should tell you more, but I’m ready to drop. Time to get ready for the last second day!

More Dance Finals? Duh

I only discussed the format for the modern, jazz, and ballet technique dance finals last post. We have some sort of final in each class we take. This year, I also had pointe, classical partnering, and contemporary pas.

My pointe class meets twice a week, on Tuesday and Thursdays. (That doesn’t sound like a lot of pointe, I know, but you wear your shoes for rehearsals, partnering, variations, sometimes ballet technique…) During finals weeks, pointe class meets at its normal times. Since we have two teachers, we have two finals. We don’t memorize these finals like we do for ballet and modern — basically it is an ordinary class, except the professors take notes in a sinister, wide-ruled, spiral notebook.

~sinister music~

The classical partnering class meets on Wednesdays, and we had our final the week before the week of Nutcracker runthroughs, which was the week before Thanksgiving Break, which is the week before the show. In the dance department, November and December are dictated by the performance schedule.

Our pas final is usually half of a pas de deux we’ve been practicing for the last two or three class periods. I’ve done the first and second halves of Diana and Acteon, the first part of Don Q (up until 3 min in the video below), and the first half of The Sleeping Beauty wedding pas. We go in groups of two pairs, and we’re graded on our performances.

YouTube Preview Image

For contemporary partnering, we learned six short pas from Nacho Duato’s Na Floresta. The last two classes, the professor assigned each couple one pas at random and taped us performing the entire chunk, couple by couple. I love Duato’s choreography. It feels so organic; it’s detailed, yet free, restrained at the same time it gives itself in abandon. This sounds super cheesy, but it’s the best way I can describe it. I’m so excited we are performing his Por Vos Muero during this year’s Midwinter Dance Festival.

And those were some of my dance finals.