Summer.
I cannot form nice sentences any longer. For at least another two weeks. It’s all lazy mornings with my pet bunnies and sunshine.
And I have exhausted my English-language skills. They will need these two weeks to recover, I fear. Yup. So.
I produced twenty-one new pages of writing in the last three days at Butler. Altogether, my three final papers clocked in at exactly thirty-three pages.
Eight pages of dance history. Nine for a paper on Nathaniel Hawthorne and his deviant characters and Hepzibah’s shop and the railroad á la Christopher Castiglia and Leo Marx. Sixteen on Emily Dickinson. I say she not only deserves the attention of the postmodern scholarship community, but she also possesses herself a postmodern understanding of language.
If you examine her ideas of death and Heaven and knowledge, you find that her binary oppositions are wonky. Death is connected to absolutes and divinity and comfort. Hmmm.
I wrote a paper over spring break on Emily Dickinson, after reading a hundred and fourteen of Emily Dickinson’s poems. For my final, I researched the current discourse surrounding Dickinson from a postmodernist viewpoint and revised my paper to place it into conversation with the scholarly community.
And that’s what a dance/English major writes at the end of junior semester.









