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About Me:

My name is Olivia and I am a senior at Butler University. I spend most of my time in Lilly Hall as a BFA Dance Performance major. When not in rehearsal or ballet class, I write papers for my English Literature second major. In my super-abundant, never-lacking, this-is-highly-sarcastic spare time, I attempt to cook in my apartment kitchen, watch Youtube videos of ballet, knit sweaters that never seem to come to an end, and read books both silly and serious. If I could take any class at Butler just for kicks, I'd go for DiffyQ.

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Posts Tagged “contemporary partnering”

More Dance Finals? Duh

I only discussed the format for the modern, jazz, and ballet technique dance finals last post. We have some sort of final in each class we take. This year, I also had pointe, classical partnering, and contemporary pas.

My pointe class meets twice a week, on Tuesday and Thursdays. (That doesn’t sound like a lot of pointe, I know, but you wear your shoes for rehearsals, partnering, variations, sometimes ballet technique…) During finals weeks, pointe class meets at its normal times. Since we have two teachers, we have two finals. We don’t memorize these finals like we do for ballet and modern — basically it is an ordinary class, except the professors take notes in a sinister, wide-ruled, spiral notebook.

~sinister music~

The classical partnering class meets on Wednesdays, and we had our final the week before the week of Nutcracker runthroughs, which was the week before Thanksgiving Break, which is the week before the show. In the dance department, November and December are dictated by the performance schedule.

Our pas final is usually half of a pas de deux we’ve been practicing for the last two or three class periods. I’ve done the first and second halves of Diana and Acteon, the first part of Don Q (up until 3 min in the video below), and the first half of The Sleeping Beauty wedding pas. We go in groups of two pairs, and we’re graded on our performances.

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For contemporary partnering, we learned six short pas from Nacho Duato’s Na Floresta. The last two classes, the professor assigned each couple one pas at random and taped us performing the entire chunk, couple by couple. I love Duato’s choreography. It feels so organic; it’s detailed, yet free, restrained at the same time it gives itself in abandon. This sounds super cheesy, but it’s the best way I can describe it. I’m so excited we are performing his Por Vos Muero during this year’s Midwinter Dance Festival.

And those were some of my dance finals.

Midwinter Announcement!

Sunday night, the dance majors received a very exciting email from the director of the Department of Dance:

“I am very pleased to announce that this year’s Mid-Winter guest choreographer piece will be “Por vos Muero” by Nacho Duato.  Mr. Kevin Irving, assistant to Mr. Duato will be coming to cast the piece this semester and he will then return to set the work at the beginning of the spring semester.  This is very exciting for us all and continues the legacy of the masterworks that have been presented by the Butler Ballet over the past several years.”

Por Vos Muero:

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The past four years I have been at Butler, our Midwinter Dance Festivals have showcased pieces from the best choreographers.

  • 2012 Nacho Duato, “Por Vos Muero”
  • 2011 George Balanchine, “Walpurgisnacht”
  • 2010 Anthony Tudor, “Dark Elegies
  • 2009 George Balanchine, “Serenade”

I had the good fortune to participate in last year’s commissioned piece, and working with Deborah Wingert was absolutely amazing. (All dance students enrolled in Butler Ballet — i.e. almost all of them — are in the Midwinter show. The commissioned piece is not the only piece. Faculty members choreograph the rest of the program.) We don’t get to pick casting, obviously, and I’ll enjoy any piece I’m in, but I would love to learn Nacho Duato’s choreography, since we are learning the duets from Na Floresta in our Contemporary Partnering class and it is awesome. Video of Na Floresta:

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So much excitement!