In a dance studio not terribly far away, Coppélia begins.
*cue Star Wars rolling theme credits/music*
Since one of our heavy rehearsal days last week was cancelled due to plumbing issues in Lilly Hall and I was traveling to Kansas City on Saturday, this week feels like the first real chunk of rehearsals. I have the good fortune to dance Swanhilda in Butler Ballet’s Coppélia. I am having so. much. fun.
In the last three days, I’ve learned, in addition to some Act I stuff/a variation from the previous week:
- Most of the end of Variations on a Slavic Theme with the Friends
- The wheat pas (a pas de dix in this version… though I’m not sure how it’s dix because a normal pas de deux has one couple, two people. So with a corps of eight couples, shouldn’t this be a pas de dix-huit? Or even a pas de neuf? My boyfriend tells me it’s like polypeptides: Once you get past a certain number, the peptides just become “many.”)
- The wedding adagio
- Some of the Swanhilda/Franz Act I mime/acting
- Part of the Act III Ribbon Dance (where I literally become a human Maypole, holding all the ribbons in a shoulder sit that rotates.)
Have I mentioned that I’m having a blast? I’ve never danced such a large part before — well, thanks to the foot injury that switched me from Sugarplum to Snow Queen in The Nutcracker, I’ve never performed an entire classical pas either — but Swanhilda is the perfect role.
I think I would be more nervous if I were dancing a princess or something — I had scary dreams about doing (and forgetting) the wedding pas from The Sleeping Beauty when I was understudying Aurora — but Swanhilda is a real girl, a normal girl, a girl in love who gets angry and hits her rather flighty fiancé over the head with flowers, who laughs with her friends and sneaks into Dr. Coppélius’ house and can be rather nasty but in the end understands a father’s love can be just like her own marital love. She’s much more human to me than a princess, and I’m so excited I have the chance to dance her.