Olivia ’12 RSS feed

About Me:

My name is Olivia and I am a senior at Butler University. I spend most of my time in Lilly Hall as a BFA Dance Performance major. When not in rehearsal or ballet class, I write papers for my English Literature second major. In my super-abundant, never-lacking, this-is-highly-sarcastic spare time, I attempt to cook in my apartment kitchen, watch Youtube videos of ballet, knit sweaters that never seem to come to an end, and read books both silly and serious. If I could take any class at Butler just for kicks, I'd go for DiffyQ.

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Olivia

Almost Into Production Week

Tomorrow is Studio Dress for Coppélia! I’ve written numerous posts on Studio Dress — you can read them if you want. Also, I wouldn’t really argue if you wanted to buy tickets for Coppélia.

I’m so excited. I spent a good part of this semester telling myself not to be nervous, reminding myself to enjoy my final months at Butler. The spring of my sophomore year, I was one of the Little Swans in the Butler Ballet’s Swan Lake. I was nervous all the time. I couldn’t eat without feeling sick to my stomach, and I had nightmares that one of the dance professors locked me in the smallest ballet studio in the basement and wouldn’t let me out because he wanted me to practice.

Even last year I was nervous for Sleeping Beauty far in advance of the actual shows because I found out I was the last minute understudy for Aurora and learned the whole ballet in about three days. I had a dream that I had to go in because my friend who actually dancing the role decided she didn’t want to do and it and was laughing at me from the wings while I tried to do the grand pas, only I decided to change the choreography at the last minute and didn’t tell my partner… This dream = a nightmare.

This year, I’ve thrown myself in the fun of the role. As I’ve said before, Swanhilda is a real girl, not some remote princess or swan maiden, which makes her more approachable. When I leave the stage angry, I play over dialogue in my head so if I have to enter slightly more cheerful, I know how I got there; if I am to be upset, I cover my face in my hands sometimes so the other dancers don’t see what weird faces I’m sure I’m making. Keeping track of the emotional story gives the dancing purpose and makes it fun.

I did have one dream where the dance faculty told everyone that due to copyright issues, we would be performing Dracula instead of Coppélia, and I had three weeks to learn everything. The subconscious is an amazing thing…

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