Saturday was a rehearsal whirlwind, with the day beginning at nine with the wedding pas from Act III of Coppélia. We used a new recording, which was about five times faster than the old one. I did one attitude promenade about fifty times. Start the day off with a bang!
I like the Act III classical work. Swanhilda is so sassy in Act II and so emotional (angry/frustrated/happy) in Act I. Doing the wedding pas feels like drifting in a dream world. She is so gently happy to be with her rather flighty beau. She finally demonstrates and maintains a sensitivity and delicacy that comes and goes in the other acts.
She still gets her say, though — the variation is extremely playful, and that famous music provides the power that makes her so down-to-earth. Above all, she is just happy like one in a dream — happy to be with Franz, happy to be with her friends, and happy to be dancing. As one of the choreographers put it, “Franz is addicted to the bottle. You’re addicted to dancing.” More on Swanhilda’s obsession with dance later!